Author: Robin Kirman
Publisher: Crown Publishing
Published: July 7, 2015
Genre: general fiction
Synopsis: (from www.goodreads.com)
Georgia, Charlie and Alice each arrive at Harvard with hopeful visions of what the future will hold. But when, just before graduation, a classmate is found murdered on campus, they find themselves facing a cruel and unanticipated new reality. Moreover, a charismatic professor who has loomed large in their lives is suspected of the crime. Though his guilt or innocence remains uncertain, the unsettling questions raised by the case force the three friends to take a deeper look at their tangled relationship. Their bond has been defined by the secrets they’ve kept from one another—Charlie’s love and Alice’s envy, Georgia’s mysterious affair—and over the course of the next decade, as they grapple with the challenges of adulthood and witness the unraveling of a teacher's once-charmed life, they must reckon with their own deceits and shortcomings, each desperately in search of answers and the chance to be forgiven.A relentless, incisive, and keenly intelligent novel about promise, disappointment, and the often tenuous bonds of friendship, Bradstreet Gate is the auspicious debut of a tremendously talented new writer.
My Review
This is a difficult book to review. I liked the book better the day after finishing it, as it gave me more time to process the ending, if that makes any sense?! I found myself doing the Tevye monologue from Fiddler on the Roof: "on the one hand..." "But on the other hand..."
So I'm going to do a pro's and con's review, but you should read it in Tevye's voice.
The
Characters
On the
one hand: I was immediately struck by Robin Kirman’s talent for character
description, and loved being able to guess at their inner thoughts merely
through a self-conscious motion, or a child-like movement, and how the other
character reacted to that action. And this just from the prologue!
On the
other hand: We are given the three main characters (Georgia, Alice and
Charlie’s) backstories in great detail for the first part of the novel. Very
great detail. To the point where character exposition is the focus, with the
plot taking the backseat.
Also,
on the one hand: Some reviewers are comparing Bradstreet Gate with Donna Tartt’s
The Secret History. The only thing Bradstreet Gate has in common with The
Secret History is that it takes place at “an elite New England college.” And
there are quirky characters. I am okay with this, as I was not a big fan of The
Secret History.
On the
other hand: The reason I wasn’t a big fan of The Secret History is that I found
the characters to be unlikable and unsympathetic… From the prologue I thought I
would be taken in by Georgia’s backstory, but College Georgia had a certain
“way she liked to see herself: as a woman of sufficient maturity and merit to
attract an accomplished older man” [28].
You
could write a report on the psychological implications that this story has on
each of the main characters, mainly because Kirman gives you SO MUCH backstory.
You drown in backstory. And that’s the largest flaw, I think. Some of the
information could have been drawn out through plot and/or dialogue, and maybe
more could have been inferred. Instead you are hit over the head with how much
Charlie could never gain the respect of his father, for instance, or how Georgia had daddy-issues
from her super-gross father, etc.
The Plot
On the
one hand: The plot seems to centre around Professor Rufus Storrow, but what I
don’t understand is WHY?! He’s no Gilderoy Lockhart (Harry Potter, hay-ay!),
meaning he’s not loved by everyone, not even by Georgia! To Charlie he could maybe
be a “proper” father-figure, or an older brother to look up to… AND judging by
Storrow’s off-hand remarks during his lecture that had Julie Patel in an
uproar, he sounded like a bit of a "d-bag." Not to mention he was a super-creepy-stalker-weirdo.
On the
other hand: There is no other hand! (Fiddler on the Roof! Hay-ay!)
The Ending (possible spoiler)
On the
one hand: this is not a Jessica Fletcher* mystery where everything is tied up in
a bow at the end of the story. And sometimes I enjoy an ambiguous ending, which
I guess is a spoiler of sorts.
On the
other hand: Initially I was quite angry with the ending. Very angry. Soooo
angry! This is where the “take a step back and don’t write a review angry” came
in. I slept on it. I mulled over certain elements. And 24 hours later I felt
better about the ending.
ON THE
OTHER HAND: There are too many loose ends. With a good mystery, there’s always
a twist or a surprise. But then answers are also revealed. I feel like there
were too may questions left unanswered, and not in a
“let’s-debate-what-happened” kinda way, in a “No, SERIOUSLY, WHAT HAPPENED”
kinda way.
So my
review grew from 2/5 stars (from my “angry
place”), to 3/5 stars (from a, “I get what you were going for, it just didn’t
make it there for me” place).
For a
first book, it’s really good. If Kirman can tease out the information from her
amazing characters, rather than making the novel a character exposé, I think she
could write an amazingly epic novel.
--I received this book from the Blogging for Books program in exchange for this honest review.--
~ Spinning Jenny
ROBIN KIRMAN earned a BA in philosophy
from Yale College and an MFA in fiction from Columbia University, where she
served as a writing instructor in the English department. Robin lives in New
York City and Tel Aviv.
That
afternoon, she’d looked across at Storrow, at his proud, immaculate features
and depthless gaze, and felt as if this man was every man she’d ever hated. He
was Torsten; he was Vasily; he was every brutal narcissist who lived to impress
his distortions of reality upon weaker souls – which Storrow had, misguidedly,
taken her to be.
Bonus Content: Casting
For those of you who don't know who Linda Evangelista was (Alice's hair was styled like hers), or could only think of one red-headed actor for Storrow (Damian Lewis*, of course!), I'm throwing in some casting from the '90's to help.
Alice (Linda Evangelista)
Georgia (Alicia Silverstone)
Charlie (Duckie from Pretty in Pink 1986)
Storrow (Eric Stoltz)
*And, for those of you that have been living under a rock:
Damian Lewis
Jessica Fletcher/ Dame Angela Lansbury (from Murder, She Wrote)
I like your review style.
ReplyDeleteThanks, Carla! I like to make it a little fun, but with substance! (That's the goal, anyways!)
ReplyDeleteSometimes reviews are spot on, and this is absolutely one if them!!!! Thank you!!!! Angry, confused, too much back story, frustrated reader. -M
ReplyDelete